Showing posts with label Sengoku Basara Science Laboratory. Show all posts
Showing posts with label Sengoku Basara Science Laboratory. Show all posts

Tuesday, 13 August 2013

Book review: Sengoku Basara Kagaku Kenkyuujo (Sengoku Basara Science Laboratory)

Between September 2012 and January 2013, Yanagita Rikao of the Kuusou Kagaku Kenyuujo ('Fantasy Science Laboratory') wrote a series of eighteen columns for Famitsu's blog portal. The original goal of these articles was to promote Sengoku Basara HD Collection in a light-hearted way by having Yanagita analyse the moves and weapons used in the Sengoku Basara series, trying to uncover the real-world physics which made the techniques possible. I posted rough translations of all eighteen columns on this blog back when they first appeared (there wasn't much Sengoku Basara news to report on back then).

A compilation of the blog posts was released by Enterbrain in their Famitsu Books line on 28th June 2013. Sengoku Basara Kagaku Kenkyuujo ('Sengoku Basara Science Laboratory') was priced at ¥1,100 and sold through import book stores such as Yesasia, Amazon Japan or CD Japan; however, the first print run sold out within days of release. I expect that a second edition will be available very soon.

Given that the original blog entries were relatively short, the fact that this book is 176 pages long is a sign that the author has included some additional content. The videos from the original blog posts have been swapped for explanatory game screenshots while the comical diagrams by illustrator Morinaga Pizza remain. There are six new illustrations exclusive to the book edition.

After an introduction and a recap of the previous Sengoku Basara games, the book goes straight into the character profiles.

Thursday, 31 January 2013

Final part: Yanagita Rikao's Sengoku Basara Science Laboratory

Like my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

As of 30th January 2013, Yanagita Rikao's blog series has been completed with publication of part 18 (translation below). There's a note from the author at the end of this post with his plans for the future of Sengoku Basara Science Laboratory. Writing these translations every week for several months has been an interesting challenge; thank you very much for persevering and reading my clumsy work!

Part 18 (Final): Reaching 240km/h with a flutter kick? Fuuma Kotarou

I can't think of a more 'ninja-like' ninja than Fuuma Kotarou. He doesn't utter a single word, his facial expression hidden by the wide forehead protector which extends past his eyes. He'll complete any mission so long as he's compensated, never deviating from his path even if it means being reviled as an 'emotionless killing machine'. Why does Kotarou fight? For the sake of money? Then, what does he need the money for?  Everything about 'Soaring Gale' Fuuma Kotarou is wrapped up in mystery; let's take a look at his abilities.

Saturday, 26 January 2013

Part 17: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 17: Lifting up a luxury cruise ship!? Tsuruhime

'Pure white and lovely' Tsuruhime is a happy-go-lucky girl. Dressed in priestess attire, which resembles the barbarian-style clothing that would later be called a sailor fuku, she dashes through the battlefield without a single attendant, holding a strung bow and countless arrows. Her objective is to protect the sea of her home. Having spent her girlhood in seclusion she knows no fear and scolds rough men, "You guys in the pirate crew, please don't throw rubbish into the ocean!". At the same time, without even knowing the real name of cool-headed ninja Fuuma Kotarou, she's deeply attached to "the one with twilight wings" and keeps him close to her heart. It's unthinkably aggressive, for a Lady of the Sengoku period. However, it's worrying that this lovely young girl is out on the field of battle. Will Tsuruhime be alright?

Saturday, 19 January 2013

Part 16: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 16: Jumping onto a bullet train!? Tokugawa Ieyasu

'If you haven't seen a boy for three days, view him with new eyes'*. Embodying those words is 'Toushou Gongen' ('Avatar of the Light of the East') Tokugawa Ieyasu. He grew from a boy into a young man through battle, deciding to cast away his spear and fight with the power of his fists alone. He aims to unify the country using the power of bonds. It's just as though a butterfly has emerged from its chrysalis. For this article, I'll examine the strength of the grown up Ieyasu.

Wednesday, 9 January 2013

Part 15: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 15: A comprehensive analysis of monster-grade strength!! Oda Nobunaga

'Heaven Conqueror Demon King' Oda Nobunaga. Simply writing the name is enough to make every inch of the body tremble in fear. He's probably as much as two metres tall, with a long sword in his right hand, a shotgun in the left, and clad in armour with protrusions which thrust to the heavens like an assassin's blades. Proclaiming himself to be the Dairokuten Maou ('Demon King of the Sixth Heaven'), he issues the words "Bow down to me!". It's as though his presence nullifies any other. And if he enters the battlefield, he displays such strength that it's as though there is nobody else around. Ah, why did the heavens send a warlord like this to walk the earth?

Wednesday, 2 January 2013

Part 14: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 14: A single horseman able to defeat 1,300; what's going on!? Maeda Keiji

Freedom. It's as though the word exists for Maeda Keiji. While he belongs to the Maeda family, he shows no interest in world affairs and lives for love. He cuts a flamboyant figure with a hawk's flight feathers in his hair, a monkey - Yumekichi - on his shoulder and an incredibly long sword on his back. I'd have liked to do the same once, but with his personality and skill he can probably be forgiven for living his life this way. I'll try to assess the strength of the 'Gorgeous Splendour', Maeda Keiji.

Friday, 21 December 2012

Part 13: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 13: The secret of the infinite bullets!? Saika Magoichi

Saika Magoichi is a leader with a will of steel. She judges which warlords to whom they should be lending their power, sticking fast to the Saika Shuu's way of life: to live for your own sake, and to die for your own sake. Should they decide to side with a warlord, they'll fight and tear through the vanguard at the right moment. For the Saika, a defeat means a decrease in their value, paving the way to the Saika's demise. That's why her gun will probably fire today, too, to lead these coarse men. I'll take a look at the way Magoichi Saika lives; the strong and beautiful 'Smoky Bird Soaring Magnificently'.

Saturday, 15 December 2012

Part 12: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 12: The unexpected power of the gigantic iron hot pot!? Kobayakawa Hideaki

Kobayakawa Hideaki is a pretty pathetic warlord in the world of Sengoku Basara. He runs away while saying things like "It's not worth risking my neck!" instead of trying to fight on the battlefield. He doesn't even hold a sword in the first place; his only weapon is the nabe (hot pot pan) he carries on his back. Still, it's hard to dislike the flukey way that he uses the pot to attack without thinking. I'll take a closer look at the charm of Kobayakawa Hideaki, who wins without trying to win.

Saturday, 8 December 2012

Part 11: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 11: -218°C shockwaves!? Uesugi Kenshin

Uesugi Kenshin is a warlord blessed with a mysterious allure. He combines coolness and beauty with strength as well. His faith, too, is intense; from snowy Echigo he has his sights set on the whole country, probably due to the guidance of Bishamonten* rather than personal ambition. I will take a look at the bewitching power of 'Godlike Speed, Blessed Commander' Uesugi Kenshin using science.

Sunday, 2 December 2012

Part 10: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 10: The threat of the rumbling iron ball!? Kuroda Kanbee

Kuroda Kanbee is an unlucky warrior. Despite being one of the pair of strategists referred to as "Nihyoue*" in Toyotomi Hideyoshi's prime alongside Takenaka Hanbee, following Hideyoshi's passing Ishida Mitsunari and Ootani Yoshitsugu regarded his ambitions to take control of the nation as dangerous. They restrained Kanbee by shackling him to an iron ball and forced him to live underground. Even after a hard-earned victory he's suddenly attacked by a new wave of enemies, from whom he flees dragging the iron ball and crying "Whyyyy?!". However, Kanbee uses this iron ball as a weapon. Turning his adverse situation into a form of attack is a very positive approach. Dubbed 'Heavy, Blunt Manoeuvres' in the series, Kuroda Kanbee's life is all about never giving in to misfortune.

Saturday, 24 November 2012

Part 9: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). The series is intended to promote August's Sengoku Basara HD Collection. Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 9: The 'god of warfare' has an extremely unusual physique!! Honda Tadakatsu

Who's the one known as 'Sengoku Saikyou', the strongest in the Warring States? It's the name of an unparalleled warrior. With a giant, superhuman frame dressed in armour reminiscent of a tank, he wields a mechanical spear styled like a rotating drill. On top of this, he can even fly through the sky using a jet engine on his back - the existence of which alone is practically cheating. And best of all is that he's silent. Without uttering a single word, he responds to this words of his lord with his achievements in battle. Honda Tadakatsu's strength is off the scale.

Tuesday, 20 November 2012

Part 8: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). The series is intended to promote August's Sengoku Basara HD Collection. Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 8: The secret of the jointed sword, which gouges flesh with a slicing sound!? Takenaka Hanbee

Amazing techniques

A jointed sword. From these words alone, it's not possible to visualise the katana's appearance. Although many blog visitors will already know, I'll describe it.

Saturday, 17 November 2012

Part 7: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). The series is intended to promote August's Sengoku Basara HD Collection. Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

I especially recommend consulting the illustration for the explanation this time.

Part 7: The terrifying ringblade user!! Mouri Motonari

The 'wily strategist' Mouri Motonari is a splendid warlord. Dressed in bright green hunting garb with sleeves longer than his arms, he wears a tall eboshi (hat) in the same colour and boots on his feet. Freely manipulating his circular katana 'Rintou' ('ringblade'), this bewitching figure fights as though dancing. However, this author must apologise. Written in the strategy guide are things like "Motonari's attack power is extremely low" etc. I completely disagree! I cannot help but feel that ferocious attack power is hidden within Motonari's ringblade.

He's actually really strong

Motonari's Rintou is composed of two semicircular katana. Although he can also hold one of them in each of his hands or combine them in the shape of the letter 'S', he usually forms them into a circle around himself and grips the handles from within it. This is Motonari's basic stance.

I want you to imagine confronting Motonari in this stance one-on-one. If you thrust towards the upper area, he should be able to cut your face or body just by jerking the ringblade forwards. Thrust towards the middle of the stance and Motonari can simply raise the front of the Rintou, deflecting the katana. The same motion would protect him from even a swing angled downwards. Immediately after any of these, closing the gap between you with dance-like footwork, he would be likely to tear into your flank with a slash. Enormous damage is dealt to the enemy with the bare minimum of movement. I think that's what makes the ringblade scary.

Yet, when Motonari comes out from the ringblade, it's even more fearsome. When he's inside his Rintou both of Motonari's arms are outstretched, his hands holding the handles. Since the width of a person with both arms outstretched is almost as great as their height, even considering that his fingers are bent it means that the ringblade is more than 150cm in diameter. So, since a normal Japanese katana is 1m in length, that's 1.5x longer. Perhaps it's tricky to visualise due to the circular shape, but Motonari's Rintou is an exceptionally long katana.

Naturally its weight will be considerable. This author has an imitation sword which is used for research. The blade is 75cm long and 3cm wide. The side opposite the blade is 7mm thick, and it weighs 980g. The weight of the blade portion on its own will be somewhere around 800g. Assuming that the ringblade's diameter is 160cm, the width of the Rintou's blade is 18cm by measuring on the game screen. If the thickness is the same as this author's imitation sword, its weight will be 32kg!

When Mouri Motonari exits the Rintou, he flips the ringblade. I think it's to avoid bumping his tall eboshi hat, which wouldn't be impressive at all. To perform this action, he's only able to use the strength of one hand; nevertheless, he deftly flips it as though it were a hula hoop. Doesn't this mean that he has considerable power?

A rhythmic gymnastics hula hoop has a weight of 300g. The 32kg Rintou, which Motonari handles in the same way as a hula hoop, implies that he has 100x the strength of an ordinary person. A normal person can exercise holding a 3kg dumbbell in one hand; Motonari freely swings a 300kg compact vending machine. It looks magnificent, but the truth is that it uses tremendous superhuman strength.

The edge is very sharp

However, the true terror of the ringblade isn't in its size or the physical strength of the wielder. Thinking about it, this katana must be dreadfully sharp. As the sword's master uses it to slice things, the effect would be the same as honing the blade.

The cross-section of this author's imitation sword makes an isosceles triangle, extending 1.7cm from the blade towards the opposite side. If we take this to be true, the angle of the blade's tip ought to be 23 degrees. To cut something 5cm in front of it, the blade will move 5.3cm at an angle and form the base of a right-angled triangle at the point of incision. Since the thickness of the back of the sword remains the same, the katana now forms an isosceles triangle 5.3cm from the blade; which stays perpendicular to it in motion. Like that, the angle of the blade's tip would be 7.6 degrees. Even a handheld precision cutter has a 16 degree tip, so this is sharp!

Then, what about the ringblade? Because it's round, the blade will always hit the thing it's cutting at an angle. In other words, merely by turning the Rintou its master's cut should exhibit the same sharpness as slashing with a katana. For example, suppose that a cut is made 18cm from the side opposite the handle, matching the width of the blade. If, in that case, the cutting edge of the blade moves 54cm to form the base of an isosceles triangle, it would be the same as being cut by a katana with a 0.74 degree tip. It cuts so well it's scary!

The power of the ring of light

These aren't the only horrors of the ringblade. The circle of light emitted by the Rintou has a variety of uses. For example, the ability Hajikite 'Heki' creates a wall in the air. Alternatively, the special move Kinjite 'Baku' binds the enemy soldiers in a trap! ...I can not entirely explain what kind of principles these use using modern science. The only one I know is Tsuinote 'Shou', which blasts enemies or destroys walls using the circle of light. I'll save face by explaining this much.

Even in light, there's power. As a result, if a huge sail was erected in space, it could be propelled by rays from the sun. Couldn't Tsuinote 'Shou' too be using this principle to blast the enemy soldiers? If that's the case, intense energy is needed inside the ring of light. An enemy soldier weighs 100kg together with their armour,; to blast one for 5m, the energy must be hitting the enemy soldier with the same force as 86t of explosives!

As far as scientific thought goes, Mouri Motonari should have monumental attack power. Heaven has bestowed two things on the man 'Mouri Motonari': power and splendour. I want you to dance the Sengoku era with beauty and strength.

All content in this post is © CAPCOM CO., LTD. 2012.

Tuesday, 13 November 2012

Part 6: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of part of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). The series is intended to promote August's Sengoku Basara HD Collection. Please click the link below to see the original article, which is accompanied by illustrations and promotional videos.

Part 6: Lifting a tanker with his fingers!? Date Masamune

There's nothing an enemy can do

You can't talk about Masamune without mentioning the Rokusouryuu (Six Claw Style). With three in the right hand and three in the left, he wields a total of six katana in battle. How effective is this as a method of fighting?

From the enemy's point of view, simultaneously blocking three katana is desperately difficult. Because the angle between the neighbouring swords may be as much as 30 degrees, the upper and lower blades can be 80cm apart. To defend against any one would mean being cut by the other two. Even supposing that you managed to block them all, the impact from the slash would be huge due to the weight of the three katana.

In addition, it's also problematic for the enemy that Masamune holds three in each hand. Between battles Masamune takes up a stance where he tilts forwards a little with both arms outstretched. Given 80cm between the point of the blade and where it meets the tsuba (hand guard), Masamune's 65cm arm length and his 50cm shoulder width, the Six Claws will take control of an area with a diameter of 2.6 metres and a vertical height of 80cm. It's as though you can hear Masamune's voice saying "I'll show the guy who comes in here hell, Baby!".

Of course Masamune would rather always greet an enemy with an attack than fight a passive battle. Lunging at the enemy forces with CRAZY STREAM or MAGNUM STEP, he scatters the foes, brandishing his Six Claws like a rasetsu demon. As for the enemy soldiers, at this point they would have no idea what to do. It's not depicted in the game, but would some of them not instinctively step back from such an onslaught, ending up stabbed by the swords and spears of their own allies?

My fingers hurt!

However, I don't think it's all that easy to wield six katana at the same time. I experimented to see just how tough it could be.

Looking at the game screen, Masamune holds one sword each between his index and middle fingers, his middle and ring fingers, and his ring and pinky fingers. When yours truly tried to hold the handles of an imitation sword, a wooden sword and a hammer from my research collection in the same way... gwaahhh, my fingers hurt tremendously! Dislocation of the pinky finger is likely, and sandwiched between both the imitation sword and something else, the middle and ring fingers were on the verge of incurring compression fractures. I cannot even lift the the weapons up; to swing them would be nothing more than a dream. If this author were to wield them on the battlefield, he'd take damage simply by holding the Six Claws!

However, Masamune swings the Six Claws around freely. This means that his fingers are not just sturdy, they're powerful. Let me calculate how much power they have, using a scene where he launches enemy soldiers into the air.

Masamune flings a great many enemy soldiers into the air with a single swing of the Six Claws. Although the katana strike the enemies, there's absolutely no sign of a fall in their speed; however, for there to be no drop in speed at all the katana would have to be infinitely heavy. Let's assume for now that the speed of the katana drops to 90% when the enemy soldiers are flung aloft.

On this assumption, by calculating the sword speed that would be needed to launch enemy soldiers 5m with three katana, we get Mach 21! At the moment of impact, the force dealt to the enemy's body is 7200t!

Yet the force Masamune's fingers are exerting is not on that level. To swing a long katana around with narrow fingers requires that those fingers apply enormous force, working on the principle of leverage. The distance from the fingers to the point of impact is 60cm, so if a finger has a diameter of 2cm, the former is 30x more than the latter. The force exerted by Masamune's fingers, then, is 30x the force dealt to the enemy: 216,000t!

As long as there's a foothold, this young Oushuu Hittou can lift up a tanker with his fingers. You cannot master the Six Claws without being superhuman.

[Extra note: According to the illustration, the speed at which the enemy is launched by the swing is 36km/h.]

What's flying?

Masamune has several projectile weapons. Of these, PHANTOM DIVE stands out most. Swinging the katana downwards, three pale lights run across the ground and defeat an enemy far in the distance. I wonder, exactly what is flying?

Something which flies when a katana is waved... As you delve into the possibilities, there's only one explanation scientifically speaking: it's a splinter from a katana. Since Masamune defeats hundreds of enemy soldiers in every fight, it wouldn't be surprising for there to be a few nicks in the blades of his katana when the battle is over. Perhaps parts of that saw-like remainder could break off and fly away due to centrifugal force, owing to the excessive sword speed?

If the splinter was 5mm in size, with that amazing sword speed it could hit Mach 28! In this case, with all three katana working perfectly in unison they'd apply a centrifugal force of 13,500t. Perhaps this technique too is only possible because Masamune's fingers alone hold 216,000t of power.

With marvellous power and speed, Date Masamune presses on through the soldiers which cluster in the enemy camp as though it's nothing more than an empty field. The people and soldiers of Oushuu can really count on their young Hittou.

All content in this post is © CAPCOM CO., LTD. 2012.

Sunday, 11 November 2012

Part 5: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). It's not a word-for-word official translation. The series is intended to promote August's Sengoku Basara HD Collection. Please click the links below to see the original articles, which are accompanied by illustrations and promotional videos.

Part 5: Aniki swings a piano around!? Chousokabe Motochika

The guy who can swing around a piano? Aniki~!

Aniki's weapon is an 'anchor-spear'. Although there are many different types, they're all long with thick, spear-like handles. From outward appearances they're probably made of iron, and the tip of the weapon is shaped like an anchor. Consequently, they should be quite heavy, so I wonder how much one weighs?

Let's consider the popular Chousou Yanagare (Aniki's basic weapon). Its full length is around 1.4x Motochika's height when measured on the game screen. Specifically, I think we can narrow it down to a length of 8 shaku (2.4m) using the units of the Sengoku period. The handle has a diameter of 11cm so from this the handle's weight can be calculated: 176kg!

Since this is only the weight of the handle, what about the rest? The length of the anchor-shaped blade is 82cm, traced along its curve. The average width is 16cm. It's difficult to discern the thickness from the screen, but given that it tapers smoothly from the handle's diameter of 11cm, an average of 5cm should be about right. That being the case, one side alone weighs 53kg and both halves are 106kg. The total weight when combined with the handle is 282kg! An upright piano is said to weigh 200-250kg. Our Aniki has been twirling a weapon which weighs more than a piano.

How much force is needed to do this? Motochika swings the anchor-spear horizontally twice within a second. If both hands are holding onto the anchor-spear 1 shaku (30cm) away from its base, the brute force required for this to be possible would be 25t. Aniki is someone you can really count on!

The guy who can launch enemies 160 metres? Aniki~!

When Motochika swings the anchor-spear with these powerful arms, the speed of its tip should reach 250km/h. I wonder what it would be like from the perspective of the enemy soldiers who take the hit? Rather than dying from a cut or stab, in Sengoku Basara the people hit by a katana or spear are often flung in the air. However, when it comes to launching people into the air, the anchor-spear is something else. After all, it's 282kg, which is 280x heavier than an ordinary sword.

The person on the receiving end of Motochika's anchor-spear will take the same damage as they would being hit by a car travelling at 170km/h. And immediately afterwards, they'll be flung into the air at 130km/h, before dropping down 16m away even if they were flying horizontally. After that, they'll bounce a few times then gently slide 140m to a stop if the ground is soil.

Since he does this twice each second, he can scatter the enemy soldiers as much as he wants. Thrusting into a crowd of foes, this man will empty the area on either side of him for 160m. That's our Aniki!

The guy who can fly in the sky on his spear? Aniki~!

In addition, by making flames gush out of the anchor-spear Motochika can cleverly ride it like a surfboard, dashing through the air. The name of this technique is 'Dokyuu'. The fact that flames are expelled - exactly like a rocket - means it's highly likely that the flight comes from burning fuel, releasing high temperature, high pressure exhaust gas from the reaction at high speed. If that's so, I wonder how quickly it's coming out.

Observing Motochika's posture when he's flying, he places his feet at a 45 degree angle in front of the handle and behind the anchor. I wonder if this is to split the reaction of the gushing flames between the force needed to counter gravity and that required to move forwards.

I'll assume that Motochika's body weight is 70kg, and with the anchor-spear the total weight is 352kg. With the anchor-spear tilted at a 45 degree angle, supporting this weight, the force needed to move forwards ought to be 352kg. When a 352kg object moves forwards with 352kg of force, the motion is the same as an object falling from the sky; in other words, its speed immediately after it starts will be 36km/h, then 72km/h, 108km/h... the speed will increase by an additional 36km/h each second. Since air resistance rises over time the increase in speed will slow down, ultimately reaching the same falling speed as with skydiving: 200km/h. So considering it scientifically, Dokyuu is a technique to cleave with a bang ('dokyuun') at 200km/h.

In that case, what is the fuel? At a 45 degree angle, producing a force of 352kg forwards and upwards, as the flames are expelled they need to put out a force of 500kg. Even nowadays, the most fuel-efficient rockets wouldn't be able to release this much power without burning 1.1kg of fuel every second. To move using Dokyuu for 30 seconds would require 33kg of fuel; I don't think there's anywhere in the anchor-spear with enough space to store that much. Perhaps Motochika had to develop it to be more fuel-efficient than is currently possible. But as shown through construction of the gigantic battleship 'Fugaku', Motochika's technical capabilities are more advanced, so I'd think his rocket technology would also be the best in the world.

However, when you hit an enemy while wielding a spear containing such excellent fuel, the impact has a danger of causing a huge explosion. Do your best and be careful that you don't blow yourself up, Aniki~!

All content in this post is © CAPCOM CO., LTD. 2012.

Friday, 9 November 2012

Part 4: Yanagita Rikao's Sengoku Basara Science Laboratory

As with my posts covering the earlier parts, this is an extremely rough English translation of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). It's not a word-for-word official translation. The series is intended to promote August's Sengoku Basara HD Collection. Please click the links below to see the original articles, which are accompanied by illustrations and promotional videos.

Note: I felt the need to expand on the explanation of Setsuna slightly in my own words, as Yanagita-sensei's were rather vague from a western perspective.

Part 4: Moving instantaneously, faster than a hurricane!? Ishida Mitsunari

Quickest in the Warring States

Mitsunari's speed is symbolised by 'Setsuna'. On-screen, it appears as though you teleport directly in front of a distant enemy.

To be true teleportation, however, you'd have to be moving at an infinite speed. In our universe, nothing can move faster than the speed of light: 300,000km/s. With this fact in mind, it must take even Mitsunari a little time to use Setsuna. I wonder how much?

Setsuna (ksana in Sanskrit) is actually an ancient word. The concept came from India, and in Buddhist teaching it's said to be the smallest unit for measuring time. Consulting an encyclopedia, I found that a day is equivalent to 6,480,000 Setsuna. Therefore, 1 Setsuna is equivalent to 1/75 of a second. Within this space of time, Mitsunari can move in front of an enemy that was 5m away, giving a speed of 1,350km/h. That's Mach 1.1!

A Mach number represents a multiple of the speed of sound; if its value is greater than 1 then it means the speed of sound has been exceeded. Why, Mitsunari would be able to overtake his own spoken voice. If Mitsunari was to use Setsuna upon shouting "Hideyoshi-sama~!", he'd hear his own voice after he'd arrived at his destination. For a human being that's an unprecedented speed.

His sword moves fast too

The speed at which Mitsunari swings his sword is extraordinary. It's so quick that the human eye can't keep up; the retina only glimpses a residual image of the path it traced as purple light. Exactly how fast can it be?

The time that an afterimage is stored in a human retina is 0.1 seconds, and at times Mitsunari's sword can leave as many as 10 residual images. This means that he is swinging the sword at least 10 times in the space of 0.1 seconds. The length of a single afterimage is around 2m. A simple calculation tells us that the speed must be 720km/h, but that's not the full extent of Mitsunari's capabilities. We mustn't overlook the fact that Mitsunari also moves the sword back and forth, from side to side. That calculation gave us the average speed, but the maximum speed reached during reciprocal motion is double that. In other words, Mitsunari's sword speed is 1,440km/h, or Mach 1.2!

Lacking any data on the sword speed of an ordinary swordsman, Ou Sadaharu in his prime swung his baseball bat at 154km/h. A bat is a little lighter than a katana because its centre of gravity is near to its tip, so perhaps it's fair to compare this to the sword speed of a real swordsman. That being so, Mitsunari's sword speed is 9.4x that of a normal swordsman. This represents 87x more muscle power; if he was to hit a baseball, it would fly 87x farther. If Mitsunari appeared in the modern world and played baseball, his home run would fly a distance of 9km.

A sword which becomes a star

The speed of Mitsunari's sword might not be limited to this, however. The possibility is suggested by 'Zanmetsu'. After thrusting the katana into the ground, he swings it up and a purple light darts towards distant enemies, flinging them into the air. The guidebook states that a shockwave is released.

This phenomenon has serious ramifications. In swinging the sword, a shockwave sufficient to launch people into the air is released; due to the excessive speed, I'd imagine it would be generating an enormous amount of heat the moment it makes contact with the air. If the shock wave is launching enemies 5m into the air at a distance of 10m, Mitsunari must be swinging his sword at a speed of 900,000km/h, or Mach 740!

If Mitsunari lets go of his katana halfway through the move, it will not only break free from the gravity of the planet Earth but also that of the sun, flying to the distant reaches of space. Mitsunari's sword will become a star. His sorrow will be even greater than it was before.

All content in this post is © CAPCOM CO., LTD. 2012.

Tuesday, 6 November 2012

Part 3: Yanagita Rikao's Sengoku Basara Science Laboratory

As with the other posts in the series, this is an extremely rough English translation of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). It's not a word-for-word official translation. The series is intended to promote August's Sengoku Basara HD Collection. Please click the link below to see the original article, which is accompanied by illustrations and a promotional video.

Part 3: Godlike speed and a 2.5 million volt electrical discharge!! Katakura Kojuurou

A sword with godlike speed

Kojuurou is a very orthodox warrior who uses a single katana as his weapon. Each swing is very powerful, able to send five enemies flying 10m into the air with one blow. Although the other warlords can do the the same, the key point is that Kojuurou is armed with just one katana. Exactly how powerful is this sword attack?

Extrapolating from the flight distance of 10m, the enemy must have been launched at a speed of at least 25km/h. At first glance it doesn't seem like a big deal; it wouldn't be strange for a person weighing a few dozen kilos to fly like this. Since it is said that a Sengoku era warrior's armour could weigh up to 25kg, I think that it's safe to say that each individual enemy soldier weighs 100kg with their armour and weapons. Five would be 500kg. A katana weighs approximately 1kg. Consequently, the sword is hitting things which are 500 times heavier than it is, and knocking them into the air.

For this to be possible, the sword must be moving 500 times more quickly than the speed it sends the enemies flying. If they're thrown into the air at 25km/h, Kojuurou's sword speed is therefore 12,500km/h, or Mach 10.2. More than 3 times the speed of a rifle bullet! A sword weighs 200 times more than a rifle bullet, so if the speed is 3 times greater, Kojuurou's single blow is 2000 times more powerful than a bullet fired from a rifle. Great!

Special move: Mugetsu Gokusatsu

Even though Kojuurou is stronger than usual under normal circumstances, he can take things further than that. This is his 'Mugetsu Gokusatsu'. When his fury reaches its peak, his fighting becomes ferocious and his sword speed increases. By how much does this increase his attack power?

During play, the sword's speed on-screen is too fast to measure. Looking at the Sengoku Basara 3 Utage Official Complete Guide, a standard attack value of 8 becomes an attack of 12 in the Gokusatsu state. From this, perhaps it can be concluded that his sword speed is 1.5 greater? If that's the case, the number of enemies defeated in the same space of time would be 1.5 times greater. The enemies would also fly 2.25 times farther (1.5 x 1.5).

This means that the five enemies on the receiving end of the Gokusatsu strike would collectively fly at least 22.5m. If they were alone, it would be 112.5m. If this could be seen in the real world, it would be thrilling.

However, the amount of energy Kojuurou will expend per second is 3.4 times greater (1.5 x 1.5 x 1.5). Naturally, his fatigue will also increase at 3.4 times the rate. This Gokusatsu state is a battle mode which should be triggered when the moment is right, after all.

A flying lightning bolt

Kojuurou's unique ability 'Narukami' sends a bolt of electricity from his katana. I wonder how this can be possible?

Kojuurou's body is clad in blue sparks. We often suffer from static electricity during winter, when clothes made from different fabrics rub against one another. Similarly, I wonder if Kojuurou could be discharging the static electricity generated when his katana rubs against his clothes as he vigorously moves around?

In Kojuurou's case though, the amount of static electricity which builds up is overwhelming. To bring about a discharge in the air requires 500,000 volts per metre. The voltage generated between fingers and a doorknob in winter is approximately 10,000 volts, and there's a crackle as you approach a distance of around 2cm. Yet Narukami can leap as far as 5m. In that case, the voltage must be 2.5 million volts!

Materials such as cotton and hemp, which have been used to make clothing since ancient times, are less susceptible to static electricity. Furthermore, where there is moisture such as sweat it's not easy to build up a charge. Nevertheless, Kojuurou can accumulate 2.5 million volts of static electricity, which tells us that he's able to intensely dart around, violently, without breaking a sweat. His physical fitness is incredible.

Oushuu should be safe as long as Katakura Kojuurou serves as the Dragon's Right Eye with his godlike sword speed, Gokusatsu and electrical discharge capacity of 2.5 million volts.

All content in this post is © CAPCOM CO., LTD. 2012.

Part 2: Yanagita Rikao's Sengoku Basara Science Laboratory

As with the other posts in the series, this is an extremely rough English translation of the blog series Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). It's not a word-for-word official translation. The series is intended to promote August's Sengoku Basara HD Collection. Please click the link below to see the original article, which is accompanied by illustrations and a promotional video.

Part 2: Even a gymnastics gold medalist would pale!? Sarutobi Sasuke

His shuriken are colossal

The shuriken Sasuke wields in each hand are enormous. There are different kinds, but the basic ones he uses in Sengoku Basara 2 Heroes have three knifelike blades approximately 50cm long and 12cm wide. Combined with the blades' 1cm thickness and the metal connecting parts, it looks as though Sasuke's shuriken each weigh 8kg. Two at once would be 16kg. To be able to jump or backflip with them would be surprising even for Uchimura Kohei, who won the all around gymnastics gold medal at the London Olympics.

These fantastic shuriken can also be thrown and returned like yo-yos. Perhaps there's a chain attached to the axis of the weapon. In manga, ninja usually carry a large number of shuriken and discard them once they've been thrown; Sasuke could have devised the two reusable shuriken to avoid having to carry a lot of the normal kind.

When pulling the shuriken back using Hikiyose No Jutsu, it's also possible to draw in enemy soldiers. To be able to pull objects of around 100kg in with a single swing takes significant physical strength; the force needed to pull soldiers from a distance of 10m would be 3.1t. Sasuke attracts attention for his speed and techniques, but his brute strength mustn't be overlooked.

Making copies of himself?

In addition, Sasuke can use Bunshin No Jutsu to summon two shadowy doppelgängers. Even though they look like shadows, because they have offensive power it's more likely that these copies are Sasuke himself rather than a trick of the light. In which case, they must be residual images; it is said that this kind of afterimage remains in the retina of the human eye for 0.1 seconds. If he can move three times within that interval it could appear as though there were three copies, however, to leave a clear afterimage it would be necessary to stop long enough at each location.

Supposing that he stops for 0.05 seconds in the position of his clearly visible physical form, then stops for 0.01 seconds in the position of each of the shadowy clones, that leaves 0.03 seconds for movement.

Since the three copies are 1m apart in a triangle formation, it means they are covering that 1m distance within those 0.01 seconds. That's 100m per second, or 360km/h! Faster than the Shinkansen, taking just 1 second to travel 100m. What amazing speed.

It's tough on the crow

From time to time, Sasuke soars through the air holding onto a crow which appears out of nowhere. It's a massive crow with a wingspan of around 2m. Even the largest crows in Japan usually have a wingspan of 1m at the most, so Sasuke's crow is twice as big as normal.

Even for this gigantic crow, it's not easy to fly with Sasuke hanging on. A large crow weighs approximately 800g and takes off from the ground by flapping its wings around once per second - that's how much they need to flap to support their own weight. If Sasuke weighs 70kg, this huge crow would have to beat its wings six times per second to fly. This poor crow is making a huge effort in order to give Sasuke an advantage in combat.

The science of diving into the shadows

Among Sasuke's skills, this writer finds Kagemoguri No Jutsu the most amazing. He travels deep underground and then bounces up from right beneath the enemy. Rather than diving down and digging a hole with a shuriken, his feet sink down right where he's standing. How on earth is this possible?

It's possible that it could be achieved through liquefaction. If you apply vibration to moist soil, the earth will become creamy and objects standing on it will sink. By vigorously shaking his legs, Sasuke may be able to liquify the ground under his feet. Once he's underground, he could push forward by shaking his whole body.

This may be possible, but the difficult part is how he moves beneath his opponent and leaps out of the ground. With liquefaction he'd sink back in rather than jumping towards the enemy, while to leap out using his own strength probably wouldn't allow him to bounce the enemy upwards. Through experimenting by burying a puppet in sand, it seems likely that a person would need leg strength equivalent to 2.9t in order to jump out of the ground. To simultaneously toss a 100kg opponent 3m into the air, an additional force of 3t is needed; that's 5.9t in total.

Strength like that is beyond superhuman. Sarutobi Sasuke defeats the enemies with this tricky technique. Behind the scenes there's a well-rounded grasp of science, incredible strength and the suffering of a gigantic crow.

All content in this post is © CAPCOM CO., LTD. 2012.

Part 1: Yanagita Rikao's Sengoku Basara Science Laboratory


To keep up the momentum as we wait for more information to trickle out of Capcom later in the month, I'm taking a step back today to cover a series of amusing Famitsu blog articles which began at the end of September. Every week, Yanagita Rikao introduces some lighthearted physics by taking a look at the Sengoku Basara characters and their infeasible special moves.

Yanagita is no newcomer to the world of implausible science, being the brains behind the Kuusou Kagaku Dokuhon series of books which already featured Sengoku Basara at the start of the year, investigating the "mystery of Oushuu Hittou Date Masamune's six-claw style". I don't have the book myself but there was considerable mirth upon its release.

The article must have been successful because it was soon followed up with the current blog series, memorably titled Yanagita Rikao's Sengoku Basara Science Laboratory (Yanagita Rikao Sengoku Basara Kagaku Kenkyuujo). The series is intended to promote August's Sengoku Basara HD Collection.

So far, there have been six blog posts, each highlighting an individual SenBasa character. I'm going to summarise them rather than translate each of them word for word; please read my English adaptations with this in mind. It's best to click the links too to see the adorable diagrams by Morinaga Pizza which accompany Yanagita's words, and if you can read Japanese, the original text is much more detailed and entertaining than my abridged version. You can find future summaries with this tag.

Part 1: The mysterious orange glow! Sanada Yukimura

The speed of the spears is supersonic

Yukimura's spearmanship often involves swinging his weapons horizontally rather than jabbing. When Yukimura attacks with two spears, they emit a bright orange light along their trajectory. What on earth is this flame?

Spears made from steel shouldn't be on fire. Where there's a lot of oxygen, they might fizzle like sparklers, but it would be disadvantageous in a fight to have the weapon gradually getting thinner and shorter as it burns.

What if that orange glow is actually the steel of the spear itself? If you think about it scientifically, the tips of the spears will be generating a lot of heat as they collide with the air, making them red hot. Science teaches us that iron glows bright orange at 1200℃. Therefore, for the spear tips to reach this temperature in the air, they must be moving at Mach 4.5. That's 1.5 times faster than a bullet being fired from a rifle!

In addition, Yukimura showers his enemies with continuous attacks, giving them no space to breathe. The rate at which his blows rain down is decided by the length of the spears. Taking into account the illustrations in the Sengoku Basara 5th Anniversary Eiyuu Taizen book, the spears are slightly longer than Yukimura is tall.  From this, it's probably best to assume around 6 shaku in Sengoku period measurements, or 182cm; if the spears are this long, when Yukimura swings his weapons back and forth at Mach 4.5 he will be doing so 67 times every second. With two spears, he'll strike the enemy 134 times.

Even a machine gun only fires 10 rounds per second, so Yukimura is hitting an enemy 1.5 times faster than a rifle bullet, at 7 times the rate of a machine gun. This feat requires not just speed, but also great physical strength, as equivalent force is needed in order to move an object quickly. From measuring the length of the spear tips from the previous picture, and the diameter of the handles, it looks as though the weight of the spears is 1.8kg. Yukimura's grip is 60m from the base of the spears when he swings them back and forth as described above. Taking these details into account, to move his spear tips at Mach 4.5 Yukimura will be exerting a force equivalent to 19t!

That's enough power to lift 40 Sengoku era horses. Usually when speaking about Sanada Yukimura the focus tends to be on speed, yet it's startling how much brute strength he has too.

Take care when using too much power

This guy demonstrates extraordinary speed and power in battle. For example, 'Rekka' is a continuous thrusting technique. I can't help but be surprised by the way I can use it to knock down enemy commanders, tearing soldiers apart and sending them flying.

A person back in the Sengoku era is said to be smaller than a person today, so dressed in armour weight up to 25kg and wielding a weapon, one might weigh around 100kg. With that in mind, when thrust at with a force of 19t even an enemy who blocked the blow with their sword would go flying at 120km/h. Thrusting horizontally, the distance travelled could reach 14m. A person on the receiving end of Yukimura's spears would be sent flying far enough to clear a dual carriageway!

Futhermore, if Yukimura uses his special move Daisharin, which involves connecting both of his spears and wielding them as one, there would be an eightfold increase in the force needed to wield the weapon. After taking into account the change in stance to give sufficient leverage, and a 2 shaku (60cm) gap between his hands, the resulting increase in his weapon's weight and length means that the tip of his spear ought to reach Mach 5. Its impact will be 250 times more powerful than a full swing from a professional baseball player.

However, Yukimura must tread carefully. If his spears are moving at a speed of Mach 5, they will reach a temperature of 1539℃; three degrees higher than the melting point of iron. There's significant danger that drops of molten iron will begin to fly as the spear tips are swung. Dealing the enemy an enormous amount of damage, I'm afraid it would be known as 'Melting Daisharin'; take care to hold the spears by their handles!

With such power and speed, Sanada Yukimura could even accidentally destroy his own weapons. There are no words strong enough to praise the young warrior of Kai.

All images and content in this post are © CAPCOM CO., LTD. 2012.